Creativity in everyday life — Deciding if you are an artist

Decide then act like an artist.

Artist or not an artist? That is the question.

Deciding if you are an artist is a difficult choice. Ask yourself the following questions:

  • Do you like creating new items (paintings, sculpture, designs, printmaking, etc…)?
  • Do you create without any prompting? Without taking a class or someone else asking you to do this activity?
  • Do you sometimes daydream ideas while waiting for a friend, at the doctor’s office, while sitting there with your best friend or boyfriend who is watching hockey or some show you can’t quite relate to?
  • Do you move around the vegetables you are chopping for supper so that the colours look good together?
  • Do friends or family check with you when deciding how to put together some patterns or colours in their outfit or home?
  • Do you get told you dress in a unique style? or some other comment that is similar?
  • Do you love going to galleries or fabric stores just because you like the colours or patterns?

If you answer yes to a lot of these questions, you have the potential to be an artist. The focus word is potential. Not everyone wants to become an artist but if you do, there are still a few steps to take to get there. Talent helps but there are still ways to become an artist with only a bit of talent.

www.dorischarest.ca

My firm belief is that if you want to do something, it counts more than talent. The desire to put in the hours is essential. There is an author and psychologist that says it takes 10,000 hours to master a skill. The 10,000 hour rule — first proposed by a Swedish psychologist and later made famous in Malcolm Gladwell’s Outliers — states that exceptional expertise requires at least 10,000 hours of practice. Are you willing to put in those kind of hours?

For more information about Gladwell, go to:

Gladwell says that deliberate practice is essential to learning any skill. When psychologists talk about deliberate practice, they mean practicing in a way that pushes your skill set as much as possible. Like all popular theories, there are people that jump to find ways of disputing the theories. Check out this article :

New Study Destroys Malcolm Gladwell’s 10,000 Hour Rule
The 10,000 Hour Rule – closely associated with pop psych writer Malcolm Gladwell – may not be much of a rule at all…www.businessinsider.com

Regardless of the criticism, practice makes perfect. There is a need to perfect your skills before you can actually say that you are an expert at a x skill. Are you willing to put in the hours?

People tend to think that artists are born and not made. This is a falsehood that continues to endure. Sure, you may have a tendency to pick up artistic skills easily on the surface but I have found that those surface skills are just that ‘surface’. It is almost like beginners luck. You have a natural skill just like some sportsy types have. Do you want to continue learning that skill? To deeply understand what you are doing, practice and development of skills is needed.

Do you really like the whole process and are you willing to put in the hours? Do you love creating? Do you love the ‘magic’ of creating something out of nothing? What is it you love the most? Are you willing to put in the hours needed? If you say yes to this, you have the makings of an artist.

Life as an artist is not easy. Keep that in mind before you say yes. Personally, I said yes before realizing that a career as an artist was harder than a career as a doctor. As a doctor, you have the benefits of being paid well and a certain amount of status. An artistic career does not guarantee this.

People will not realize the skill you need to be an artist. You need to be independent and say you love it regardless. Do I regret an artistic career? No but I wish someone had told me what I was facing. I might have prepared myself better. I still love art after years of working in it. There is a joy there that I have found rarely elsewhere. In fact, raising my children is the only other place I found this ‘joy’.

There are a few factors to keep in mind. Keep in mind that not everyone that plays piano will become Władziu Valentino Liberace or not everyone that plays a sport will become a million dollar player/earner. You may or may not become a famous/well known artist/internationally known artist in the process but you may become the local ‘go-to artist’. Is that good enough for you? You will be able to make a living but you will not be able to own your own plane on an artist income. Can you accept this?

The best advice that I can give is that you should find your ‘niche’. Find a spot you excel at and become an expert. Become the ‘go-to person’ in your area. No matter, if you love art, you will drawn to it and keep going back to it whenever you can. You will be drawn to artistic endeavours over and over again until you get the hint and make it your career. This is a prediction….

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — Essentialism View #2


Go to the profile of Doris Charest
Essentialism for artists. A second look at what this book has to offer.

According to Greg McKeown, focussing on what is important and only what is important is part of being an Essentialist. As an artist, this is really important. We tend to work on multiple projects at the same time and are multitasking experts. This is wrong according to McKeown.

Focussing on only one task at a time is the best way to get things done. Sometimes that is not possible. We commit to more than one thing and then we need to follow through. There is a solution to this problem. You commit to each item one day a week.

This is a work week only. Weekends are for families. The five day week is the maximum you can work. So, if you work on your main project on Mondays, on Tuesdays you work on the group project with your friend, on Wednesdays you do your social media, on Thursdays you work on your committee meetings and Fridays you are dedicated to your new installation project.

So what happens to your marketing time, your time to fill out grant proposals, your time to meet with artist friends or your time to think about new projects or figuring out the problems from Monday’s day? You are overbooked. What do you eliminate? What do you do?

According to the Essentialist, you need to take out what is not essential to you. What helps you the least in your artistic path? Take it out now! A true essentialist needs to eliminate whatever is in its path.

First you need to decide what is important to you. Is it the project from Monday? The group project? What is really important. Inside your gut, you know what you really think as important. Follow your instinct. Can you eliminate the least important?

You may be able to do this instantly but you may also have to ease into the elimination. You tell the group that you will attend only three more meetings, then you will have to let it go. You will finish the project with the friend, then not take on any more projects so that you can spend double the time on YOUR project.

You still don’t have any time for marketing your project. That’s a problem. Why create and then not be able to find places to show your work? That is not right. What can you eliminate next so you can promote your project or at the very least finish it.

Remember: Focussing on only one task at a time is the best way to get things done. Work on your project first. Get it done. Market it. Show it in as many places as you can then move on to the next project.

Often artists love creating so much that they create non-stop and even forget the marketing part. One idea leads to another and we work on them so that we don’t forget them. That is best for artists- in our heads.

We need to treat our work with disrespect if we do not take the time to show it somewhere. If the work has enough value for you to spend the multiple hours on it for many weeks, why should it not be shown somewhere?

The Essentialist has a point. If we worked on less items, we could finish the work sooner and then market it properly. Like most artists, I like creating more than marketing. I leave marketing to the last minute.

If I took the time to do it well, I would be showing more places. I would be less stressed because I would not be doing things at the last minute. I am going to try to put this principle into practice in the new year. Why wait for the new year, do it now!

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Trying something new

I found this painting in my basement and decided to try something new in marketing with it.  I put it up for auction at : http://www.dailypaintworks.com/buy/auction/397108

This painting is called ‘Mother Hen’ and it is part of my old style.  This is one of my first oil paintings from my ‘Rural memories’ series.  Let me know if I have changed…..Yes..I have!!

I refuse to tell how many years ago this was…..

Mother hen