Creativity in everyday life – The ugly truths about being an artist

Creativity in everyday life- 7 Ugly truths about being an artist

Artist get a lot of bad publicity. Living as an artist takes a lot perseverance and drive. You need to do a lot of work by yourself. Delegating work is difficult since you are the creator and owner of the business. Here are some basic truths about being an artist. If you think that what I list below is something you can do and are willing to do, then you will have a head start as an artist. Go through each point carefully and find ways you can overcome the obstacles in your artistic practice. 

If you are a realistic painter or an abstract artist, the struggles are the same. These points are the unavoidable points that you need to master as an artist. 

1. Success is not based on skill. You can be a wonderful painter, for example, and the best portraitist in the whole country but you will not succeed if no one knows about you. You need to get out there and show your work so people know how good you are. Really good publicists in the artworld were Dali, Georgia O’Keefe, Chris Cran and Picasso. 

2. Marketing is not easy. There are many ways you can market your work. Do your homework for your particular niche and find the best way to show your work. An artist that really worked their niche is Yayoi Kusama. She is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, film, fashion, poetry, fiction, and other arts. For more information about her go to: https://en.wikipedia.org/wiki/Yayoi_Kusama

3. Create! You will not succeed if you do not create work. Get to that studio and build your collection of artwork. You need to do work that you can show. No work-no shows. The more prolific artists are everywhere. Picasso and Monet were well known for the quantity of work they produced. One current artist to look at is: Kara Walker. She is an American contemporary painter, silhouettist, print-maker, installation artist, and film-maker who explores racegendersexuality, violence, and identityin her work. She is best known for her room-size tableaux of black cut-paper silhouettes. For more information, go to: https://en.wikipedia.org/wiki/Kara_Walker

4. Fellow artists are both your biggest promoter and your biggest competition. This is a fine balance. My fellow artists have sent people to my art shows because those buyers were interested in my style. At the same time, I have had other artists say negative things about my work in hopes that the buyers not look at my work. What can I say? Choose your friends carefully.

5. Taking the time to practice your skill without the pressure of sales is essential. You need to take time to just work at perfecting your skills. Not all works should be put up for sale. Most artists need ‘down’ time. One podcast that I listen to is ‘Savvy Painter’. https://savvypainter.club/join-savvy-painter-waitlist/. She interviews different artists from all walks of life. Regularly, the artists say that they take time to work on pieces that are not related to their current series. They continue to explore and find new ways to hone their craft. If you like podcasts, here is an article on other podcasts on art: https://www.artistsnetwork.com/artist-life/12-art-podcasts-inspiration/

6. You will need to learn social media skills. Most artists prefer being in the studio and ignore other skills. This is one skill you cannot avoid. You need to learn Facebook, Pinterest, Instagram and whatever new media that applies to art. Use them. One online class that helped me was by Alun Hill. You can find out more about him and his classes at: https://www.tetmo.com/p/how-to-use-pinterest-to-make-money. He has sales regularly so wait for one of his sales. He explains social media really well.

7. Earned income is irregular. You will have months where you make a lot and other months where not a dime comes in. You need to save for those lean months. Keep account books and a balanced budget. There are hundreds of advice columns on this topic but it all boils down to keeping your costs down and not overspending. Find a local accountant that specializes in small businesses and ask him/her for help. They are often generous with their time, in my experience. 

I hope this helps you.

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — 5 tips for an artist to succeed

Success tips for any artist

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Success with art depends on you and your ability to let people know that you are there and willing to sell your artwork. Otherwise, they will think that your art making is only a hobby. In the beginning of your career, it may have been a hobby but now you are ready to transition into a proffessional. Here are some tips that may help.

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1. Focus on a special subject. Choose something that you can do for a long time. I love mixed media landscapes and have yet to run out of ideas. If you love portraits, concentrate mostly on portraits. Do what you love.

One artist that did this really well is John Hamilton “Jack” Bush (20 March 1909–24 January 1977). He worked on his abstracts for years. His style varied little. He just loved the painting process and he was dedicated to Abstract Expressionism. https://en.wikipedia.org/wiki/Jack_Busha

2. Work with similar colours over and over again. Learn what those colors in a variety of combinations will do together. Once you have mastered those colours, then move on to different ones.

One artist that did this really well is Mark Rothko, born Markus Yakovlevich Rothkowitz. He was an American painter of Russian Jewish descent. He worked the ideas of colour vibration and what happens when one colour is next to another colour. Simplicity was his mantra.

3. Start with only one color plus black and white. Once you have done everything there is to do with those three, add one more or change to a different color plus black and white. Master your craft in small increments and you will always do well.

One artist that did this really well is Tony Onley. Toni Onley OC was noted for his landscapes and abstract works. Born in Douglas on the Isle of Man, he moved to Canada in 1948, and lived in Brantford, Ontario. Among his works are many watercolours depicting the northern Canadian landscape. He simplified his colour palette and kept painting the most beautiful landscapes. https://en.wikipedia.org/wiki/Toni_Onley

4. Go for the ‘big’ idea. Work on one basic idea and make it work really well. Make your work a jaw dropping moment. One artist that did this really well is Helen Frankenthaler. She was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting.

Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. https://en.wikipedia.org/wiki/Helen_Frankenthaler

5. Once you have an idea, don’t overly perfect it. Just do it. You need to enjoy the process not plan every miniscule detail before starting. There nothing wrong with planning. I encourage that but you need to allow the possibility that ‘happy accidents’ might happen for the better.

One artist that did this really well is Oscar-Claude Monet. He was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein air landscape painting. Monet’s ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons.

From 1883, Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899, he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life. https://en.wikipedia.org/wiki/Claude_Monet

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest check out her website and Udemy.com

5 tips for success as an artist
www.dorischarest.ca

Creativity in everyday life — 3 Mistakes Artists Make

Mistakes you can avoid

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Being an artist is challenging. We are people and people make mistakes but here are three mistakes you can avoid with just a little bit of planning. You want your art career to move along in a positive direction.

1. You don’t record the work you do. When showing your work, you want to make sure that you know what painting went to which gallery. Not all galleries are honest. Some ‘forget’ your work and pocket the money. I have had that happen to me and if I had not documented my work, I would not have been able to prove that I had brought the work to that gallery.

There are thefts in galleries too. They and you need to know what you placed in that particular show. I do two things. I have an inventory list of the work I am handing over to the show. I work hard at having a photo of the work included in that inventory list. This means that you need to be prepared AHEAD of time.

You cannot be painting until the last minute. I also take a photo of the work once it is up in the gallery. This is proof that it was in the show and it is also a record of the show. There are times when you will be asked for photos of the work on site. You will be prepared and already have the photos this way.

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2. You don’t update your artistic resume. I struggle with this mistake. Sometimes, I am so busy that I forget to update the resume. Forget some shows and you insult the gallery because they are not on your list. Get the dates wrong and other galleries will think you invented the show. All kinds of unkind theories will surface.

Other problems occur when you don’t update regularly. I end up with mistakes on my resume because I rushed at the last minute to add the latest show. Once I even forgot to capitalize the gallery name. This is thoroughly unprofessional. Your goal should be to be a professional artist with up to date information and a well-honed resume that is ready upon demand.

3. You don’t create a series. Working in a series is a great asset to your career. You decide on a theme and then work on that theme for a minimum of ten to twelve paintings. This is not only a good way to work out your ideas but it is also a good way to improve on what you do create. I find that the first painting in a series is just the ‘bud’ of the idea.

As I create more in the series, the idea expands and grows. By the 12thpainting, my idea has matured, changed and blossomed. The paintings get better and better. Occasionally, there is a ‘needy’ one that doesn’t make the cut but generally, I find the concepts get better and so does the work.

If you show your new work to a gallery or show It on your website, the presentation of a dozen works creates a better impression than one or two works with a promise of more. From the professional viewpoint, you are a solid artist with work behind you. You are a serious artist.

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People that create only a couple of paintings in a series is viewed as amateur. That being said, there are some of my ideas that never made it past two paintings. By the end of the second painting, I was bored and did not want to continue.

You keep these paintings in the back. I found that the idea stalled because I did not think it out enough before starting or I just had fun with the materials. Once I had mastered the material, I had learned what I needed to learn.

These paintings go in the back as paintings that are part of my learning curve. Not all work needs to be shown. You can consider these works for private clients or charitable donations but not as part of a show.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Making videos about your art

Message 12 x 16 sm IMG_2299 My solo show is now over so I was wondering what I could write about that would interest people and was somewhat new so that it would be interesting.  I decided that I would write about making my videos for the courses I offer on my site.

Making a video about your artwork is a bit like this image. You get an idea first.  The idea seems great so you think ‘why not?’.  This is what I did.  I recorded the information that I wanted with a video recorder I had at home.  Then, I could not get the video to download to my computer. Hours and hours later, I consulted an expert. They told me that my video recorder was too old!  I had to start again.

Once started, I found that I had to also learn editing.  More hours of learning later, some of it figuring out which program was best and then how to use it… Groan!  There is so much to learn!….Next was uploading the video in a format that others could see it.  Finally, it was done and I had a video.  What next?  Whom do I want to show it to?  You will find this in the next post……. a little mystery to keep you coming.