Creativity in everyday life — 5 tips for an artist to succeed

Success tips for any artist

Go to the profile of Doris Charest

Success with art depends on you and your ability to let people know that you are there and willing to sell your artwork. Otherwise, they will think that your art making is only a hobby. In the beginning of your career, it may have been a hobby but now you are ready to transition into a proffessional. Here are some tips that may help.

1. Focus on a special subject. Choose something that you can do for a long time. I love mixed media landscapes and have yet to run out of ideas. If you love portraits, concentrate mostly on portraits. Do what you love.

One artist that did this really well is John Hamilton “Jack” Bush (20 March 1909–24 January 1977). He worked on his abstracts for years. His style varied little. He just loved the painting process and he was dedicated to Abstract Expressionism.

2. Work with similar colours over and over again. Learn what those colors in a variety of combinations will do together. Once you have mastered those colours, then move on to different ones.

One artist that did this really well is Mark Rothko, born Markus Yakovlevich Rothkowitz. He was an American painter of Russian Jewish descent. He worked the ideas of colour vibration and what happens when one colour is next to another colour. Simplicity was his mantra.

3. Start with only one color plus black and white. Once you have done everything there is to do with those three, add one more or change to a different color plus black and white. Master your craft in small increments and you will always do well.

One artist that did this really well is Tony Onley. Toni Onley OC was noted for his landscapes and abstract works. Born in Douglas on the Isle of Man, he moved to Canada in 1948, and lived in Brantford, Ontario. Among his works are many watercolours depicting the northern Canadian landscape. He simplified his colour palette and kept painting the most beautiful landscapes.

4. Go for the ‘big’ idea. Work on one basic idea and make it work really well. Make your work a jaw dropping moment. One artist that did this really well is Helen Frankenthaler. She was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting.

Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work.

5. Once you have an idea, don’t overly perfect it. Just do it. You need to enjoy the process not plan every miniscule detail before starting. There nothing wrong with planning. I encourage that but you need to allow the possibility that ‘happy accidents’ might happen for the better.

One artist that did this really well is Oscar-Claude Monet. He was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein air landscape painting. Monet’s ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons.

From 1883, Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899, he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

I hope this helps you .

Doris’ website:

I have creativity courses and art courses online at:

For more information on mixed media by Doris Charest check out her website and

5 tips for success as an artist

Creativity in everyday life — 3 Mistakes Artists Make

Mistakes you can avoid

Go to the profile of Doris Charest

Being an artist is challenging. We are people and people make mistakes but here are three mistakes you can avoid with just a little bit of planning. You want your art career to move along in a positive direction.

1. You don’t record the work you do. When showing your work, you want to make sure that you know what painting went to which gallery. Not all galleries are honest. Some ‘forget’ your work and pocket the money. I have had that happen to me and if I had not documented my work, I would not have been able to prove that I had brought the work to that gallery.

There are thefts in galleries too. They and you need to know what you placed in that particular show. I do two things. I have an inventory list of the work I am handing over to the show. I work hard at having a photo of the work included in that inventory list. This means that you need to be prepared AHEAD of time.

You cannot be painting until the last minute. I also take a photo of the work once it is up in the gallery. This is proof that it was in the show and it is also a record of the show. There are times when you will be asked for photos of the work on site. You will be prepared and already have the photos this way.


2. You don’t update your artistic resume. I struggle with this mistake. Sometimes, I am so busy that I forget to update the resume. Forget some shows and you insult the gallery because they are not on your list. Get the dates wrong and other galleries will think you invented the show. All kinds of unkind theories will surface.

Other problems occur when you don’t update regularly. I end up with mistakes on my resume because I rushed at the last minute to add the latest show. Once I even forgot to capitalize the gallery name. This is thoroughly unprofessional. Your goal should be to be a professional artist with up to date information and a well-honed resume that is ready upon demand.

3. You don’t create a series. Working in a series is a great asset to your career. You decide on a theme and then work on that theme for a minimum of ten to twelve paintings. This is not only a good way to work out your ideas but it is also a good way to improve on what you do create. I find that the first painting in a series is just the ‘bud’ of the idea.

As I create more in the series, the idea expands and grows. By the 12thpainting, my idea has matured, changed and blossomed. The paintings get better and better. Occasionally, there is a ‘needy’ one that doesn’t make the cut but generally, I find the concepts get better and so does the work.

If you show your new work to a gallery or show It on your website, the presentation of a dozen works creates a better impression than one or two works with a promise of more. From the professional viewpoint, you are a solid artist with work behind you. You are a serious artist.


People that create only a couple of paintings in a series is viewed as amateur. That being said, there are some of my ideas that never made it past two paintings. By the end of the second painting, I was bored and did not want to continue.

You keep these paintings in the back. I found that the idea stalled because I did not think it out enough before starting or I just had fun with the materials. Once I had mastered the material, I had learned what I needed to learn.

These paintings go in the back as paintings that are part of my learning curve. Not all work needs to be shown. You can consider these works for private clients or charitable donations but not as part of a show.

I hope this helps you .

Doris’ website:

I have creativity courses and art courses online at:

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …