Creativity in everyday life – Abstract Art

Creativity in everyday life — 3 Things that you didn’t know about abstract art

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Creating abstract work is more difficult than you think. Abstract work is emotional, intellectual and conceptual. These are elements that touch our basic, primal emotions. Here are some basic points about abstract work to think about:

1. Abstract art can be about emotions. With abstract art, you are trying to create an impact. You want people to notice your work and react to it. This means touching their feelings. In contemporary work, the goal is not always to make a pleasing painting; it is about creating a reaction. This reaction can be positive or negative. If someone reacts and says ‘That makes me feel frustrated’ or ‘That makes me feel happy’ or ‘That makes me feel like…’, you have achieved your goal. You want people to react and comment. You want them to feel the emotion that you put into that painting.

You can create that painting by expressing your inner feelings or you can totally plan that feeling. When you make certain kinds of marks on a canvas like bold black calligraphic strokes, that provokes a kind of feeling that is different from marks made with soft pastel colours. Think about what you want to express. Do you want a relaxing feeling or an edgy one?

2. Abstract art can be about color and how colours react when near each other. There are artists that have spent their lives working on this theme. If you look at the work of Jack Bush and …., you will see that their work is about color. When one sits next to another color, a certain vibration is created. Try it. Put yellow next to purple then put yellow next to orange. You get a whole different feeling with each of these.

The impressionists were the first to experiment with color. Monet, placed dabs of color next to each other on his painting and expected the eye to do the blending. If you look at his water and garden series, you will see how he did this. Rather than put down a green, he would put down a yellow and a blue next to each other. The eye would read it as a green. Since his works a large and meant to be seen from far, this works really well.

3. Abstract art can be about the materials. Some artists like texture. Some artists like the way paint drips, blends and semi-covers other paint. The whole experience is about what the materials will do. Elements of composition are important too but what happens when thick paint goes over thin or vice versa is what is really interesting to some artists.

One artist to look at is Willem de Kooning. He was a Dutch abstract expressionist artist. He was born in Rotterdam, in the Netherlands. He moved to the United States in 1926, and became an American citizen in 1962. https://en.wikipedia.org/wiki/Willem_de_Kooning He loved the paint and the way he could layer different colours, cause it to drip and layer some more.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life – 20 Tips that make you a better artist

 20 tips or tricks that can make you a better artist

Go to the profile of Doris Charest

Being a good artist is not just talent or luck. There are a lot of to do if you want to become a better artist. Here are just a few points to consider.

1. Choose a topic you love. You will produce good work only if you love what you do. So produce good work.

2.Work on your topic as often as you can. If you can only work on your art 15 minutes a day, do it. Set the timer and go!

3.Have a special spot where you can work on your art. Creating work is easier if you don’t have to set up and clean up every time. Find a spot you can leave your work so that when you are free, you can work on it right away.

4.Buy your supplies on sale and in bulk to save money. This way when you are working, you will not be as stressed at the cost of the art supplies. Most art supply stores have annual sales where they have supplies at a greatly reduced rate. Find out when that is at your local shop.

5.Find art friends or other artists to share your work with. Start creating a network of artists where you can help each other.

6.Attend art galleries. You can see new work and meet people who love art just like you do.

7.Set time aside to do work where you just play. This can be experimenting with new materials that you will add to your repertoire or this can be experimenting with style techniques that you may add to your own work.

8.Buy the best materials you can afford. Good materials really help. Like any other professional, good tools help you create work more easily.

9.If you are a beginner, stick to one style until you have mastered all the skills needed to create that work. If you decide this is not your style, change. But, master your skills first.

10.Studies show that 10,000 hours is needed to master a skill. Be willing to put in the hours.

11.When you are working, focus only on what you are doing. Concentrate. This will shorten the time needed to learn a skill.

12.Limit the amount of colors that you use. A limited palette will lead to more success for you.

13.Get yourself into ‘Google my business’ There are a surprisingly large amount of people that will find you and your website this way.

14. Get a website. This is your visual business card. People will look at your work here and then come to your art shows.

15.Invite as many people to your art shows as you can. Statistics say that only 10% of invitees actually come.

16. Don’t have too many shows in a year. People are more likely to come if it is an annual event as opposed to 4–5 times a year.

17.Apply to group shows. They bring in different people (ones that have never seen your work) that will end up seeing your artwork and possibly purchasing it.

18.Learn to use social media. That is the way of the times and most people use social media now for advertising and marketing.

19.Plan your art projects before you actually start creating. Plan a whole series of works. This will lead to you creating a series of works that give your audience a lot to look at.

20. Enjoy the process. Creating has to be fun for us to continue doing it.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life – A 30 day challenge reflection

 A 30 day challenge is just that, a challenge.

I readily agreed to a 30 day challenge thinking it was going to be easy to do. We were to create small, 8 x 8 in. drawings or paintings and post them once a day. How hard could that be? I would do this first thing in the morning as a warm-up. The goal of this exercise was to experiment.

As it turned out, this is a harder exercise to do than I thought. The first few days were easy enough. I worked through ideas I had been wanting to try. I normally work in an abstract or semi-abstract manner but something happened in the last few months. What was coming out was landscape. The work was abstract-ish but definitely landscape. I surprised myself because I had not worked in a ‘realistic’ manner for years. Why was this coming out? 

Landscape was a subject matter that I had touched on and off for years but always just as one tiny element in a larger more abstract format. Every time that I went back to my ‘old’ style, I created a mess so I decided to go with the flow and work this element out of my system. Maybe I could incorporate some of these realistic elements in my abstracts. This challenge would do the trick for me. 

The goal became a blending of two loves. I would combine abstract and landscape; abstract landscape. I hate roller coasters and this seemed like one. My landscapes turning abstract. Sounded good at the time and a possibility. 

So I started. I started with graphite powder. These happened when I sprinkled the powder on the paper then hosed it down. What was left was an abstract background where I often looked for hidden imagery in the marks. Landscape seemed to come out most of the time. Now I wanted looser, bolder results. Could I do this? I added bits of collage with mixed results. Perseverance is the key, I knew. Make a lot of work and the work would evolve. I kept going. I added watercolour in some then acrylic in others. I splashed paint and I rubbed out the graphite. 

I kept telling myself that it was only paper. These bits of paper were just that, bits of paper. One of my past instructors had told us once that ‘Nothing is precious’. You can always redo the work. At the time, I did not believe him. This work was so ‘magical’ to me. Every time that an artist reaches a new level of achievement, he or she hangs on to these new ‘greater’ works for fear of not being able to do it again. The fear goes away. Your work continues to grow. Slowly, you let those first works go. You even realize that they are not that great…anymore. You have moved to a newer level. You have gotten better. 

I kept repeating my advice in my head and slowly, I made progress. I added elements that I had not done before and the result was occasionally pleasing to my eye. I made small micro elements of progress towards my goal. Days passed and the pile of paintings grew. 

The thirtieth day arrived. I stopped. Looking at the pile, I decided that I would leave the paintings alone for a few days then look at the work more objectively. I kept worrying about my progress or lack of progress. I worked on other projects and time went by. Two weeks later, I looked. Laying out all the work on a large table, I examined the end result. I saw a bit of collage here and acrylic there. This part was good and that part certainly wasn’t. I made a list of the good parts that I liked then picked out my favorite paintings. I put away the others. 

Looking at just the work that I considered successful, I made a plan of what I could do with future work. This is what I discovered:

  • I kept only about 20% of my exercises from the 30 days. 
  • I was pleasantly surprised that I had made progress towards my goal of combining the abstract and landscape themes.
  • The work took a turn that I had not expected. This is not a negative. The result pleased me. 
  • Working consistently changed me and my work. I gained confidence in my overall plan. My work surprised me. 

Convinced that a challenge is good? Here are some links for you to look at:Why You Should Do an Art Challenge
Have you guys ever done an art challenge? Will created the Draw 50 Things Challenge , it’s a design challenge where you…www.svslearn.com
Why join an art challenge?
We are currently in the middle of a 10-day art challenge in our Facebook group community called The Soulbrush Sessions…www.artiststrong.com

A challenge is a way to grow and change your work. Why not give it a try.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — 5 tips for an artist to succeed

Success tips for any artist

Go to the profile of Doris Charest

Success with art depends on you and your ability to let people know that you are there and willing to sell your artwork. Otherwise, they will think that your art making is only a hobby. In the beginning of your career, it may have been a hobby but now you are ready to transition into a proffessional. Here are some tips that may help.

www.dorischarest.ca

1. Focus on a special subject. Choose something that you can do for a long time. I love mixed media landscapes and have yet to run out of ideas. If you love portraits, concentrate mostly on portraits. Do what you love.

One artist that did this really well is John Hamilton “Jack” Bush (20 March 1909–24 January 1977). He worked on his abstracts for years. His style varied little. He just loved the painting process and he was dedicated to Abstract Expressionism. https://en.wikipedia.org/wiki/Jack_Busha

2. Work with similar colours over and over again. Learn what those colors in a variety of combinations will do together. Once you have mastered those colours, then move on to different ones.

One artist that did this really well is Mark Rothko, born Markus Yakovlevich Rothkowitz. He was an American painter of Russian Jewish descent. He worked the ideas of colour vibration and what happens when one colour is next to another colour. Simplicity was his mantra.

3. Start with only one color plus black and white. Once you have done everything there is to do with those three, add one more or change to a different color plus black and white. Master your craft in small increments and you will always do well.

One artist that did this really well is Tony Onley. Toni Onley OC was noted for his landscapes and abstract works. Born in Douglas on the Isle of Man, he moved to Canada in 1948, and lived in Brantford, Ontario. Among his works are many watercolours depicting the northern Canadian landscape. He simplified his colour palette and kept painting the most beautiful landscapes. https://en.wikipedia.org/wiki/Toni_Onley

4. Go for the ‘big’ idea. Work on one basic idea and make it work really well. Make your work a jaw dropping moment. One artist that did this really well is Helen Frankenthaler. She was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting.

Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. https://en.wikipedia.org/wiki/Helen_Frankenthaler

5. Once you have an idea, don’t overly perfect it. Just do it. You need to enjoy the process not plan every miniscule detail before starting. There nothing wrong with planning. I encourage that but you need to allow the possibility that ‘happy accidents’ might happen for the better.

One artist that did this really well is Oscar-Claude Monet. He was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein air landscape painting. Monet’s ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons.

From 1883, Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899, he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life. https://en.wikipedia.org/wiki/Claude_Monet

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest check out her website and Udemy.com

5 tips for success as an artist
www.dorischarest.ca

Creativity in everyday life — 5 Tips for Better Abstract Paintings

Improve your abstracts

Go to the profile of Doris Charest

Abtract painting is hard. People are often surprised how hard it is to create a great abstract painting. You can maximize your chances of creating great paintings by following your these steps;

1. Plan and plan so more. Decide what materials you will use, what size the final product will be and what style you will use. Abstract painters, I find, love to work on large canvases. I am one of those artists and because the canvas can cost several hundred dollars to actually buy the canvas and supplies to create this work, planning is essential to endure success and to make the whole experience affordable.

The next step is deciding what style you will use. Will you pour paint? Will you work using pointillism? Will you use only a big 6 inch (15 cm) brush? Will the work be detailed or have large areas of bold colours that are brushed on?

Will you use acrylics? Oils? Collage? Decide on your materials. Buy what you need to buy for the project. For the moment, put it all in the corner and get to your desk to plan the next step.

2. Choose your colours before you start. Your main goal should be to limit the amount of colours you use. Simplicity is best. Ten colours in a painting, all competing with each other, can be overwhelming to the viewer. Three main colours with small amounts of other colours is easier on the viewer.

3. Value sketches. This is essential. If you are not sure what a value sketch is, check out my youtube video:https://www.youtube.com/watch?v=c6WMWmPBYWQ&t=0s&list=PLPUZqAc8UwZILqfVxiRjoyYIfqYOgoFjF&index=9

4. Do a practice run on paper. This is where you decide where the colours go. Is the red for the background? Is gold an accent?

One important detail is that your practice paper should be the same shape as the final canvas. There is no sense in practicing on a different shape. When you work on a paper of the same shape, you can work out proportions of where the lines or colours go.

5. Chances are that you will want to make some changes to your practice run. Re-evaluate your practice run. Feel free to do more than one practice run. Work out the basic shapes until you are happy. When you are happy with the basic shapes, you are ready to work bigger.

A great way to ‘sketch’ the basic shapes in on your larger canvas is to use a watercolour pencil. A blue or a yellow are nice and pale. You can block in where the shapes go, paint then take a wet cloth and wipe the pencil line away. This is a wonderfully easy way to ensure that you have a guide when you start painting.

I hope this helps you .

www.dorischarest.ca

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Welcome to my new website!

Doris Charest
Welcome to my new website.

I will be blogging about what it is like to be an artist.

Everyday life as an artist.  What is it like?   Well, I can assure you it is not boring.  There is always some new challenge on the horizon.  I will talk about  getting ready for shows, daily life, preparing courses and much more.  Keep in touch and you will find out ….