Creativity in everyday life — 3 Things only artists understand

Artists are different thinkers…

Doris Charest

Doris CharestJun 15 · 4 min read

I find that ordinary (non-artists) people see the world differently. They do not perceive what is around them with their eyes or senses as much as artists. Artistic types see the world in greater detail and with eyes that notice more. Here are three differences between artists and the rest of the world.

1. The world is a visual feast. We see details others do not. For example, I was walking with my husband along this stone wall of an Inca fortress that went for at least half a kilometer with a tour group. The wall was beautifully made. Each stone was perfectly chiseled and put into place next to another stone. The wall did not seem to have any errors in it. It leaned at a 5 degree angle, we were told to prevent erosion and the weakening of the wall. Once in a while there was one stone that was a darker red color. The placement of the red stone seemed to be intentional. That was interesting. In the crevasses of the rocks, will plants grew. There were delicate ferns, tiny plants that looked like ground cover with white flowers and one plant that was blooming with a tiny red flower that looked like an orchid. As I took pictures of these, I got further behind the group. When I caught up, the guide thought that I was lagging behind because I was not fit enough. He said we would have to pick up the pace. I explained that I was taking photos and told him all that I had noticed. I asked about the orchid. He gazed at me and said no one had ever asked him and he didn’t know. He didn’t know about the red rock either. He had been a guide for 8 years.

I am a visual artist so I perceive more with my eyes. I have noticed that musicians hear more information than I do. They make connections between sounds that I have to work really hard to even notice. I have noticed the same with writers and words. We feast in the sights or sounds we notice. The non-artists are missing out….

2. Wearing bright colors makes you happy. The psychology of color says that colour influences perceptions that are not obvious, such as the taste of food. Colour can indeed influence a person; however, it is important to remember that these effects differ between people.Color has long been used to create feelings of coziness or spaciousness. However, how people are affected by different color stimuli varies from person to person.

Blue is the top choice for 35% of Americans, followed by green (16%), purple (10%) and red (9%).A preference for blue and green may be due to a preference for certain places to live.There is evidence that color preference may depend on ambient temperature. People who are cold prefer warm colors like red and yellow while people who are hot prefer cool colors like blue and green.Some research has concluded that women and men respectively prefer “warm” and “cool” colors.Some studies find that color can affect mood. for more information, check out: https://en.wikipedia.org/wiki/Color_psychology

3. Ideas come out really looking at what is in front of you. Once, I looked at some skidoo tracks in the snow and got an idea for a painting with embossed-like textures in it. The way the snow covered up the back door of a big truck gave me an idea for an abstract. Seasons were created so that there is new information for you to look at all year round. Each seasons brings out new information that needs noticing. I visited Prince Edward Island in the spring. The red soil with that beautiful spring green led me trying out that particular color combination.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — 7 Habits of highly effective artists

Good habits help

Doris Charest

Doris CharestJun 15 · 5 min read

There are a lot of opinions on how some artists are better than others. The question is always; Why? I came upon this talk on how artists can become better by following seven specific habits. Andrew Price, the speaker, is a digital artist that discusses how these seven points helped his career.

The talk caught my attention because, as artists, we are always looking for information about other artists and how they create their work. Most artists work in isolation and this is a way of connecting to other artists. This article is a review of the talk:7 habits of highly effective artists : https://www.youtube.com/watch?v=vM39qhXle4g1.5 million views -Andrew Price, artist, digital

1.Put in time every single day- smallest amount of work possible from the point of view of a young artist.

I agree. You cannot be an artist unless you create art. Showing up to your studio is a must. Wether your studio space is in the corner of the den or outside your house, you need to go there every day you can. Do the bare minimum and you will soon find that you stay a little longer to finish what you started and soon it is an hour or two later. The time has flown by and you didn’t even notice.

2. Volume not perfection- a lot of work leads to closing the gap ie Picasso 1800 paintings 1200 sculptures, 12,00 drawings an even more prints, rugs, tapestries, ceramics -learn most from first 90%. I have had instructors that said the same thing. Get out there and learn how to be fast. In the quantity, you will develop skills and refinement that will make you good. There is a note of caution there, however. You still need to work with some care and focus on what you are creating. You will only get better if you choose to get better with every work. Don’t just copy the last painting. Try to add something new and better with every painting but do it quickly.

3. Steal. He said that if you steal ideas from one artist then that is plagarism but if you steal from many artists, you are blending ideas and that is acceptable. Steal from many so people can’t tell. Price says: find your idols; and steal from them. He quotes Steve Jobs and Banksky as being master ‘stealers’. He said to read the book: Steal like an artist by Austin Kleon: https://en.wikipedia.org/wiki/Steal_Like_an_Artist. This is a great book. He highlights many of the issues artists face, uses a lot of humour and has good ideas too.

4. Conscious learning; this is learning with a purpose. When you sit down to work, don’t just idly work. Work with a goal of doing certain skills better. He says that Malcolm Gladwell’s theory in his book Outliers (https://en.wikipedia.org/wiki/Outliers) that it takes 10,000 hours to master a skill is not true- what you need to do is work with a purpose/consciously — learning as you practice, then you get better faster.

This is a lesson that I have learned too. When I work on a project, I eliminate as many distractions as I can. I shut off my cell phone; I work in a studio that has no internet; I even put up a sign on my door to say that I don’t want to be interrupted and I put on music that suits the project — usually music that I won’t sing along with or start following the beat. The trick is to find what works for you. I have a friend that puts on classical music while another puts on country music. This is music that relaxes them and allows the creative juices to flow.

5. Rest. Price insists that you need to stop work after a certain point on a project and do something different. You need to put it aside and go back to it later. Leave it alone for a while and you will feel detached so you can work on it objectively again.

This advice is particularly pertinent when you are stuck on a project. Some paintings paint themselves but many do not. When you cannot solve the problem of ‘what is wrong’, it is a good idea to put your work in spot where you won’t see it for a while. You will see it with fresh eyes when you look at it again and usually, the problem is easy to solve.

6. Get feedback. All good artists seek feedback, Price tells us. He quotes Pixar as saying that making sure artists get feedback is their secret success. Listening to criticism and acting on it is the key to success.

Most artists seek critiques. The key to giving criticism is to keep it short. Be careful of the words you use. Select only a few points that stand out. Verbalize these points in positive manner. Never start with a negative. When you are recieving criticism select two key points that stand out for you and note those down. You can put the ten other points on ‘stand-by’. Chances are that those two points will change your painting so much, it will be a totally different painting, leaving those extra suggestions null and void.

7. Create what you love because motivation is a big factor. Price quotes Brian Eno, a musician, as working only on music he wanted to hear and this was the secret to his success. Andrew Price, himself, found that he did girl figures because that is what he loved doing. Tried drawing men and did not like it so he did not do well. He says that when he worked on men, they were terrible.

We are all like this. We do what we love well because it comes easily. We notice more details, we are willing to spend more time on what we like and we treat our favourite topics with more love and care. I love landscape but treat it in a more abstract manner. When I have to work on more realistic topics, I have to really ‘make’ myself pay attention to the work. I feel like running away or doing my regular work.

Here is an article that supports this theory and adds more: 12 Habits of Highly Effective Artists, From Creative Exercise to Living in Airplane Mode by Rachel Corbett. https://news.artnet.com/art-world/artist-work-habits-1052036. She adds even more ideas that can help you. Basically, she says the same things as Price but adds that you have be able to work in all kinds of conditions and you should get used to it. Artists have to be resilient and work despite the conditions. You will never get the perfect environment or feel ‘perfect’ every morning so just get out there and do your art!

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life- 7 Ugly truths about being an artist

What people do not realize is….

Artist get a lot of bad publicity. Living as an artist takes a lot perseverance and drive. You need to do a lot of work by yourself. Delegating work is difficult since you are the creator and owner of the business. Here are some basic truths about being an artist. If you think that what I list below is something you can do and are willing to do, then you will have a head start as an artist. Go through each point carefully and find ways you can overcome the obstacles in your artistic practice.

If you are a realistic painter or an abstract artist, the struggles are the same. These points are the unavoidable points that you need to master as an artist.

1. Success is not based on skill. You can be a wonderful painter, for example, and the best portraitist in the whole country but you will not succeed if no one knows about you. You need to get out there and show your work so people know how good you are. Really good publicists in the artworld were Dali, Georgia O’Keefe, Chris Cran and Picasso.

2. Marketing is not easy. There are many ways you can market your work. Do your homework for your particular niche and find the best way to show your work. An artist that really worked their niche is Yayoi Kusama. She is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, film, fashion, poetry, fiction, and other arts. For more information about her go to: https://en.wikipedia.org/wiki/Yayoi_Kusama

3. Create! You will not succeed if you do not create work. Get to that studio and build your collection of artwork. You need to do work that you can show. No work-no shows. The more prolific artists are everywhere. Picasso and Monet were well known for the quantity of work they produced. One current artist to look at is: Kara Walker. She is an American contemporary painter, silhouettist, print-maker, installation artist, and film-maker who explores racegendersexuality, violence, and identityin her work. She is best known for her room-size tableaux of black cut-paper silhouettes. For more information, go to: https://en.wikipedia.org/wiki/Kara_Walker

4. Fellow artists are both your biggest promoter and your biggest competition. This is a fine balance. My fellow artists have sent people to my art shows because those buyers were interested in my style. At the same time, I have had other artists say negative things about my work in hopes that the buyers not look at my work. What can I say? Choose your friends carefully.

5. Taking the time to practice your skill without the pressure of sales is essential. You need to take time to just work at perfecting your skills. Not all works should be put up for sale. Most artists need ‘down’ time. One podcast that I listen to is ‘Savvy Painter’. https://savvypainter.club/join-savvy-painter-waitlist/. She interviews different artists from all walks of life. Regularly, the artists say that they take time to work on pieces that are not related to their current series. They continue to explore and find new ways to hone their craft. If you like podcasts, here is an article on other podcasts on art: https://www.artistsnetwork.com/artist-life/12-art-podcasts-inspiration/

6. You will need to learn social media skills. Most artists prefer being in the studio and ignore other skills. This is one skill you cannot avoid. You need to learn Facebook, Pinterest, Instagram and whatever new media that applies to art. Use them. One online class that helped me was by Alun Hill. You can find out more about him and his classes at: https://www.tetmo.com/p/how-to-use-pinterest-to-make-money. He has sales regularly so wait for one of his sales. He explains social media really well.

7. Earned income is irregular. You will have months where you make a lot and other months where not a dime comes in. You need to save for those lean months. Keep account books and a balanced budget. There are hundreds of advice columns on this topic but it all boils down to keeping your costs down and not overspending. Find a local accountant that specializes in small businesses and ask him/her for help. They are often generous with their time, in my experience.

I hope this helps you.

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.youtube.com/channel/UCltBfqSMAK0OOWeXaKGud6Q?view_as=subscriber

https://www.facebook.com/dorischarest

https://www.pinterest.ca/dalinec/

https://www.instagram.com/dorischarest/

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life  -3 tips to staying sane with artist block

3 tips to staying sane with artist block

Artist block. Why it happens and ideas about what to do when it happens. 3 ways to help yourself when getting artist block.

Artist block happens to everyone. Here are 3 tips to help you stay sane with artist block. The first time and to be honest, every time, I panic. Will I never get any good ideas again?

What are the signs or artist block? You sit at your easel or drawing board and you cannot find a single thing to paint or sketch. You draw or paint without thinking or worst, feeling the joy of putting different elements together.

You paint the same thing over and over again without changing anything or making it better. You sit there and cannot move. You feel a mini depression coming on because nothing is going well. Whatever you paint is coming out muddy or just plain bad.

When you get artist block, you mind needs a break. It needs time to think and reflect on what you are currently doing. Quite often you are on your way to moving your art to another level. Your mind has not yet figured out how to move to the next step.

So you need to take a break. You need to stop what you are doing and do something different for a short time. This does not mean that you need to stop making art. Here are three ideas for you to try:

1. Try a new product. When visiting the art supply store, there’s always something new that the shop is very willing to show you. If something catches your eye and it won’t break the bank, try it. Add it to your current work and see if it adds anything to your practice. It may or may not.

Quite a few times, I enjoyed trying out the new product, had a lot of fun making something with it but by the time I used up the sample, I was done with the product. I had no urge to incorporate it in my repertoire. The odd time, I did and the change or extra product made my work shine. It is worth a try.


2. Visit a gallery. We get lonely in our studio and often we miss the visual stimulation of seeing other people’s artwork. Seeing new work, work painted or sculpted in a different way or seeing new color combinations is exciting for artists. After one of these art walks, I often feel happier and excited about art.

Double your joy by bringing a friend (who likes art). When you bring a friend, I find that the discussion of the artwork adds an extra bonus dimension to the process of looking at art. Your friend will also see the artwork in a different way and get you looking at the artwork differently. This doubles your intellectual stimulation.

3. Host a critique with other artists. Chances are that you are not alone in your ‘artist block’. Invite your friends to come for an afternoon of critiquing each other’s work. You may have to provide coffee, tea and a few snacks but I can assure you that the other artists will come willingly. We all have one or two paintings that we get stuck on and welcome help.

There are a couple rules to follow in order to have a pleasant experience when hosting. One is that no one is allowed to make negative comments. You are looking for solutions to the problem and that is the goal. A second is that only two comments are allowed each per painting. You don’t want to overwhelm the artist who puts up their work for critique. For more in depth advice, check out my online class on critiquing :https://www.udemy.com/course/1848512/manage/basics


Overall, you need to break up your routine. Routine is an excellent way to create product but a change of routine will jazz up your day and add a lot of new ideas or stimulation.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest: www.dorischarest.ca

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — Essentialism View #3

Ways to focus on your art

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Essentialism for artists based on the book by Greg McKeown. Third in a series

Focus on what is important now and create a routine to enable it — this is a third take-away that I have gotten from Greg McKeown’s book on Essentialism. One way to focus on the important is to decide first tand foremost what you want.

Do you want to finish your current project?

Do you want to join a board?

Do you want to volunteer some time a the local shelter?

Do you want to spend more time with your family?

Do you want to have more time to learn to play the flute?

Do you want to travel?

Do you want to spend more time with your aging parents?

Make the longest list you can of all the things you want to do. Fill multiple pages if you want to. There is no limit.

Pick the top three items ONLY. Under each category write down three things you need to do to achieve this goal.

Make a second list of five items to do after you finished the first three.

All the other items go in storage for later.

Prioritizing is a main proponent of Essentialism. You have now prioritized. You have three items to work on.

One of the things I like about McKeown’s book is that he says you need courage to follow your goals. This is true. First you need the courage to pick then the courage to follow your love of art. If you do not follow your own loves, others will fill your time and you will never get to your art. Making athe decision is the hardest. Your family will get needy and your friends will suddenly really need you.

You will need to be firm. You need to say that you will do art from x time to y time. Nothing will deter you. Then, after that time, they will have your time. Complaints will arise and whining will happen but it will stop. And, you will get your art time.

Routine is the key to achieving any amount of work according to this book. You create a routine, you will get work done every time. Even if the routine is only a half an hour a day, you are half an hour closer to your goal. Make a point of showing up to your work space and work will get done.

When you have a routine, your brain kicks in that it is time to work on YOUR work. And, it does. Creativity and great ideas come with a routine. Do not answer emails, facebook or even phone calls.

When I first started working in my studio space, there was no telephone line, no internet, no access by visitors to the doors to our studio. The studio space was uniquely ours. We went there and we were guaranteed to not be disturbed. I loved it. I did not have many hours in a day but I could work solely on what I wanted during that time.

Over several years, my studio space expanded to include many artists. We now have cell phones and internet. The space, to me, is still a haven for quiet. I shut my cell phone off, I deny my opportunities to surf the net and I close my door to visitors still. I have more hours in theory but I find that the greater socialization that is happening because the group has grown leaves me with the same small amount of hours.

I work as much as I can with singular purpose. I value my time by myself where I am uninterrupted. With the practice that I have with focussing on a task because I don’t have a large amount of time, I can get a lot done.

I agree with McKeown. Focusing is important and it is possible to achieve results by showing up. Overall, I have to recommend this book: Essentialism by Greg McKeown.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Doris

Creativity in everyday life — Deciding if you are an artist

Decide then act like an artist.

Artist or not an artist? That is the question.

Deciding if you are an artist is a difficult choice. Ask yourself the following questions:

  • Do you like creating new items (paintings, sculpture, designs, printmaking, etc…)?
  • Do you create without any prompting? Without taking a class or someone else asking you to do this activity?
  • Do you sometimes daydream ideas while waiting for a friend, at the doctor’s office, while sitting there with your best friend or boyfriend who is watching hockey or some show you can’t quite relate to?
  • Do you move around the vegetables you are chopping for supper so that the colours look good together?
  • Do friends or family check with you when deciding how to put together some patterns or colours in their outfit or home?
  • Do you get told you dress in a unique style? or some other comment that is similar?
  • Do you love going to galleries or fabric stores just because you like the colours or patterns?

If you answer yes to a lot of these questions, you have the potential to be an artist. The focus word is potential. Not everyone wants to become an artist but if you do, there are still a few steps to take to get there. Talent helps but there are still ways to become an artist with only a bit of talent.

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My firm belief is that if you want to do something, it counts more than talent. The desire to put in the hours is essential. There is an author and psychologist that says it takes 10,000 hours to master a skill. The 10,000 hour rule — first proposed by a Swedish psychologist and later made famous in Malcolm Gladwell’s Outliers — states that exceptional expertise requires at least 10,000 hours of practice. Are you willing to put in those kind of hours?

For more information about Gladwell, go to:

Gladwell says that deliberate practice is essential to learning any skill. When psychologists talk about deliberate practice, they mean practicing in a way that pushes your skill set as much as possible. Like all popular theories, there are people that jump to find ways of disputing the theories. Check out this article :

New Study Destroys Malcolm Gladwell’s 10,000 Hour Rule
The 10,000 Hour Rule – closely associated with pop psych writer Malcolm Gladwell – may not be much of a rule at all…www.businessinsider.com

Regardless of the criticism, practice makes perfect. There is a need to perfect your skills before you can actually say that you are an expert at a x skill. Are you willing to put in the hours?

People tend to think that artists are born and not made. This is a falsehood that continues to endure. Sure, you may have a tendency to pick up artistic skills easily on the surface but I have found that those surface skills are just that ‘surface’. It is almost like beginners luck. You have a natural skill just like some sportsy types have. Do you want to continue learning that skill? To deeply understand what you are doing, practice and development of skills is needed.

Do you really like the whole process and are you willing to put in the hours? Do you love creating? Do you love the ‘magic’ of creating something out of nothing? What is it you love the most? Are you willing to put in the hours needed? If you say yes to this, you have the makings of an artist.

Life as an artist is not easy. Keep that in mind before you say yes. Personally, I said yes before realizing that a career as an artist was harder than a career as a doctor. As a doctor, you have the benefits of being paid well and a certain amount of status. An artistic career does not guarantee this.

People will not realize the skill you need to be an artist. You need to be independent and say you love it regardless. Do I regret an artistic career? No but I wish someone had told me what I was facing. I might have prepared myself better. I still love art after years of working in it. There is a joy there that I have found rarely elsewhere. In fact, raising my children is the only other place I found this ‘joy’.

There are a few factors to keep in mind. Keep in mind that not everyone that plays piano will become Władziu Valentino Liberace or not everyone that plays a sport will become a million dollar player/earner. You may or may not become a famous/well known artist/internationally known artist in the process but you may become the local ‘go-to artist’. Is that good enough for you? You will be able to make a living but you will not be able to own your own plane on an artist income. Can you accept this?

The best advice that I can give is that you should find your ‘niche’. Find a spot you excel at and become an expert. Become the ‘go-to person’ in your area. No matter, if you love art, you will drawn to it and keep going back to it whenever you can. You will be drawn to artistic endeavours over and over again until you get the hint and make it your career. This is a prediction….

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — 4 Things great artists do differently

Four pieces of advice

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I came across some points that are bound to help any artist. If you are just starting out or have been working at art a while, these are great points to ponder.

  1. Focus on a special subject. Choose something that you can do for a long time. This doesn’t mean that you cannot do anything else. It means that you show your specialty but once in while, you work on a second subject. That topic is your ‘relaxing’ moment. You may or may not show later when you are more adept at it or have enough for a series. Again, the choice is yours. You can have it as a fun moment or a series that you are working towards in the future.
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One artist I know solved her dual interests by showing her flowers in one city and her figures in a different city far from the first city. Overall, you do need to become an expert in one area. Make your speciality stronger by saying no to anything not in your line. An artist that did this well is Robert Bateman. He worked on animals with a mostly abstract background most of his career.

2. Step away when you are stumped, the answer will come. Go for a walk. All artists get blocked once in a while. Each artist needs to develop their own rituals that will help them break out of their slump. Many artists, including Claude Monet, Andy Goldsworthy and Robert Bateman choose nature as their way to relax when they are stumped. They spent and spend long periods of time outdoors. Other artists go dancing, go swimming or go to concerts. Find the element that helps you and go for it!

3. Be consistent in one element related to your topic or style. Let’s say that you work with the same three colors all the time but after a while, you are totally done with those colors. Don’t drop all three colors. Drop one and add ONE different one. Your audience will notice the change but the colors will still be typically yours. If you still want to change it up, get your audience used to your one new color then and only then change a second color.

An artist that has done this well is Kandinsky. Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. He is credited with painting one of the first recognized purely abstract works. For more information about him, go to: https://en.wikipedia.org/wiki/Wassily_Kandinsky

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4. Adapt your subject when you tire of it. If you painted trees for years but now you need a change, look at something related to trees. Maybe you will do only foliage or the trunk of the tree with what is at its base as the seasons change.

Make a gradual change towards something different. An artist that did this well is Mondrian. Pieter Cornelis Mondriaan, after 1906 Piet Mondrian, was a Dutch painter and theoretician who is regarded as one of the greatest artists of the 20th century. He painted his abstractions with a few colours at first then gradually changed colours and linear elements.

Doris’ website: www.dorischarest.ca

For more information on mixed media by Doris Charest: Udemy.com

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

https://www.udemy.com/user/edit-profile/

https://www.skillshare.com/user/dorischarest

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — 5 tips for an artist to succeed

Success tips for any artist

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Success with art depends on you and your ability to let people know that you are there and willing to sell your artwork. Otherwise, they will think that your art making is only a hobby. In the beginning of your career, it may have been a hobby but now you are ready to transition into a proffessional. Here are some tips that may help.

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1. Focus on a special subject. Choose something that you can do for a long time. I love mixed media landscapes and have yet to run out of ideas. If you love portraits, concentrate mostly on portraits. Do what you love.

One artist that did this really well is John Hamilton “Jack” Bush (20 March 1909–24 January 1977). He worked on his abstracts for years. His style varied little. He just loved the painting process and he was dedicated to Abstract Expressionism. https://en.wikipedia.org/wiki/Jack_Busha

2. Work with similar colours over and over again. Learn what those colors in a variety of combinations will do together. Once you have mastered those colours, then move on to different ones.

One artist that did this really well is Mark Rothko, born Markus Yakovlevich Rothkowitz. He was an American painter of Russian Jewish descent. He worked the ideas of colour vibration and what happens when one colour is next to another colour. Simplicity was his mantra.

3. Start with only one color plus black and white. Once you have done everything there is to do with those three, add one more or change to a different color plus black and white. Master your craft in small increments and you will always do well.

One artist that did this really well is Tony Onley. Toni Onley OC was noted for his landscapes and abstract works. Born in Douglas on the Isle of Man, he moved to Canada in 1948, and lived in Brantford, Ontario. Among his works are many watercolours depicting the northern Canadian landscape. He simplified his colour palette and kept painting the most beautiful landscapes. https://en.wikipedia.org/wiki/Toni_Onley

4. Go for the ‘big’ idea. Work on one basic idea and make it work really well. Make your work a jaw dropping moment. One artist that did this really well is Helen Frankenthaler. She was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting.

Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. https://en.wikipedia.org/wiki/Helen_Frankenthaler

5. Once you have an idea, don’t overly perfect it. Just do it. You need to enjoy the process not plan every miniscule detail before starting. There nothing wrong with planning. I encourage that but you need to allow the possibility that ‘happy accidents’ might happen for the better.

One artist that did this really well is Oscar-Claude Monet. He was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein air landscape painting. Monet’s ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons.

From 1883, Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899, he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life. https://en.wikipedia.org/wiki/Claude_Monet

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest check out her website and Udemy.com

5 tips for success as an artist
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Creativity in everyday life — 3 Mistakes Artists Make

Mistakes you can avoid

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Being an artist is challenging. We are people and people make mistakes but here are three mistakes you can avoid with just a little bit of planning. You want your art career to move along in a positive direction.

1. You don’t record the work you do. When showing your work, you want to make sure that you know what painting went to which gallery. Not all galleries are honest. Some ‘forget’ your work and pocket the money. I have had that happen to me and if I had not documented my work, I would not have been able to prove that I had brought the work to that gallery.

There are thefts in galleries too. They and you need to know what you placed in that particular show. I do two things. I have an inventory list of the work I am handing over to the show. I work hard at having a photo of the work included in that inventory list. This means that you need to be prepared AHEAD of time.

You cannot be painting until the last minute. I also take a photo of the work once it is up in the gallery. This is proof that it was in the show and it is also a record of the show. There are times when you will be asked for photos of the work on site. You will be prepared and already have the photos this way.

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2. You don’t update your artistic resume. I struggle with this mistake. Sometimes, I am so busy that I forget to update the resume. Forget some shows and you insult the gallery because they are not on your list. Get the dates wrong and other galleries will think you invented the show. All kinds of unkind theories will surface.

Other problems occur when you don’t update regularly. I end up with mistakes on my resume because I rushed at the last minute to add the latest show. Once I even forgot to capitalize the gallery name. This is thoroughly unprofessional. Your goal should be to be a professional artist with up to date information and a well-honed resume that is ready upon demand.

3. You don’t create a series. Working in a series is a great asset to your career. You decide on a theme and then work on that theme for a minimum of ten to twelve paintings. This is not only a good way to work out your ideas but it is also a good way to improve on what you do create. I find that the first painting in a series is just the ‘bud’ of the idea.

As I create more in the series, the idea expands and grows. By the 12thpainting, my idea has matured, changed and blossomed. The paintings get better and better. Occasionally, there is a ‘needy’ one that doesn’t make the cut but generally, I find the concepts get better and so does the work.

If you show your new work to a gallery or show It on your website, the presentation of a dozen works creates a better impression than one or two works with a promise of more. From the professional viewpoint, you are a solid artist with work behind you. You are a serious artist.

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People that create only a couple of paintings in a series is viewed as amateur. That being said, there are some of my ideas that never made it past two paintings. By the end of the second painting, I was bored and did not want to continue.

You keep these paintings in the back. I found that the idea stalled because I did not think it out enough before starting or I just had fun with the materials. Once I had mastered the material, I had learned what I needed to learn.

These paintings go in the back as paintings that are part of my learning curve. Not all work needs to be shown. You can consider these works for private clients or charitable donations but not as part of a show.

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …

Creativity in everyday life — Artist Moms Are the Scariest Moms

Advice for young moms

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Artist moms are generally more permissive than most moms. Making a mess is not such a big deal. Children have access to art supplies. They paint. They make things with food items. They make noodle necklaces or marshmallow people then are allowed to eat them even their fingers are dirty. They are allowed to pour red and yellow Cool Aid together so that they not only find out that red and yellow make orange but they can drink the result too.

Being an artist, I had access to all kinds of supplies that they could play with. These supplies were not allowed in their homes usually. I allowed them to glue and paint. When my children were little, my children’s friends loved coming over to our house. Their moms often viewed what I did with the children with horror.

Colouring book of different locations in Alberta Livre a colorier de différentes endroits en Alberta

We had field trips to the creek to find plants or sticks that we glued onto paper. We hunted in the garden for gluing material too. I set up a table outside where they could paint papers to their hearts content. The whole deck was full of colors after. In the evening I just washed off the deck with the hose and all the evidence of mess was gone.

Artistic moms inspire:

Art and parenting
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Art is related to science. There is a lot of ‘let’s see what will happen when….’ activities. This is a safe way to experiment and practice fine motor skills too.

Now my children are grown up but when their friends come over, they talk of the fun they had doing these artistic activities. A memory was created and hopefully when they have their own children, they will allow them to have fun with art supplies

The best advice that I can give is that you should find your ‘niche’. Find a spot you excel at and become an expert. Become the ‘go-to person’ in your area. No matter, if you love art, you will drawn to it and keep going back to it whenever you can. You will be drawn to artistic endeavours over and over again until you get the hint and make it your career. This is a prediction….

I hope this helps you .

Doris’ website: www.dorischarest.ca

I have creativity courses and art courses online at: https://www.udemy.com/user/dorischarest/

For more information on mixed media by Doris Charest:

All photography and artwork by Doris Charest

Thanks for reading, and please do recommend, like, share, comment, etc. Thanks.

Till next time …